ONE
2017
Performance in 3 chapters, questioning the fall, the art market and the authorship. Through gestures, Marie-Caroline Hominal conjures an absurd auction to reflect and question the commodification of performance. Commenting on cultural consumerism and capitalists systems– objectifying and laying bare the role of the artist in relationship to the presenter.
Photo: Mike Patten
Concept & performance by Marie-Caroline Hominal
Starring Joseph Ravens as the auctioneer
2 Feb. 2017 Swiss Dance Days at Grütli – Geneva (CH)
8 May 2019 FIDCU at Teatro Solis – Montevideo (URY)
10 May 2019 Bienal de Performance at Galeria El Gran Vidrio – Cordoba (AR)
15 Nov 2019 DFBRL8R gallery – Chicago (USA)
20 Nov 2019 Festival Emerge @ MACM – Montreal (CA)
19 Dec 2019 XMAS Night Out, Istituto Svizzero – Rome (IT)
14-15 Jan. 2022 Invisible Dog art center – New York (USA)
19 Feb. 2022 Centre culturel suisse – Paris (FR)
02 April 2022 Museo del Novecento, curated by Maria-Paola Zedda, Milano (IT)
25 June 2022 Cold Summer Festival, curated by Keren Cytter, Ludwig Forum – Aachen (DE)
Photo: Mike Patten
Photo: Martina Cirese
Photo: Martina Cirese